Tonight’s film leans into the camp and revenge “storyline” with gusto. Director Doris Wishman trains the camera almost pathologically on her lead’s “assets,” pushing them in the viewer's face at every opportunity. Wishman knows that this is the movie's primary selling point and doesn't waste time pretending otherwise. You're gonna sit there in a daze for a moment after it's finished. You might even purse your lips, furrow your brow, or stroke your chin. But you're definitely gonna be asking yourself, "Where do I go from here?"